Release and reception Professional ratings Review scores Recording was reportedly intermitted when Tamia filmed the role of Sheri Silver in Speed 2: Cruise Control, playing the part of a featured vocalist at the dinner theatre aboard the luxury cruise ship. Following this, Jones signed her his label Qwest Records, a joint venture with Warner Bros., and enlisted the services of several producers to work on her debut self-titled album. All three track reached the top twenty on Billboard 's Hot R&B Singles chart and gained Tamia additional recognition with nominations from the Soul Train Music Awards and the NAACP Image Awards.
A moderate commercial success, the collaboration earned acclaim from critics it was later nominated for a Grammy Award along with their second collaboration "Slow Jams" and " Missing You", a song she recorded with Brandy, Gladys Knight, and Chaka Khan for the soundtrack of the 1996 motion picture Set It Off. Overwhelmed by his offer, Tamia recorded vocals for "You Put a Move on My Heart", which Jones later selected as the album's first single. Her performance reportedly impressed all in attendance, including veteran producer Quincy Jones, who later offered her the chance to appear on his album Q's Jook Joint (1995). Weeks later, Richie arranged for her to perform at a star-studded party that she held for singer Luther Vandross. Records at the time, called Richie to say that she was coming to Los Angeles for a photo session, resulting in her lasting stay and a management deal with Richie. A few months later, Tamia, who was being courted by Warner Bros. A critical success, Tamia garnered the singer two Juno Award nominations for Best New Solo Artist and R&B/Soul Recording of the Year at the 1999 award ceremony.Īfter dominating local talent competitions through her teenage years, in 1994, Windsor native Tamia performed at a multiple sclerosis benefit in Aspen, Colorado when she met music manager, Lionel Richie's ex-wife Brenda Richie, who was cosponsoring the event and introduced herself to Tamia after the show. A remake of " Careless Whisper" was released as the album's fourth single in Japan. The album's second single produced by Tim & Bob called " So into You" was well-received and charted even higher. " Imagination" was chosen as the album's lead single, reaching the top 20 in Canada and top forty in both the United States and New Zealand. Five singles were released from the album. It debuted and peaked at number sixty-seven on the Billboard 200 chart and entered the top twenty of the Top R&B/Hip-Hop Albums chart. Upon its release, Tamia received a mixed to positive reception by critics, who complimented Tamia's vocal performance and the progression from her earlier recordings but found the material uneven. Recorded after the release of her Grammy Award-nominated collaborations with Jones and the single " Missing You", her contribution to the soundtrack of the 1996 motion picture Set It Off, Tamia worked with a plethora of producers on her debut, including Jermaine Dupri, Tim & Bob, Mario Winans, J-Dub, Keith Crouch, and Christopher "Tricky" Stewart, many of which would become frequent producers on subsequent projects. It was released on Apon Quincy Jones's Qwest Records, while distribution was handled through Warner Bros.
These are The 50 Best R&B songs That Flipped Rap Beats.Tamia is the self-titled debut studio album by Canadian recording artist Tamia. Brush the dirt off your baggy baseball jersey, and get ready for an extensive look at two genres that are, thankfully, obsessed with one another.
Now, it's time to talk about which of these early "mash-ups" stand above the rest of the pack. If hip-hop was the music we heard pumping out of passing Jeeps, how would that not seep into the love (and lust) songs that made R&B what it was? R&B and hip-hop's fortunes became one and the same. and Hot Day's blend tapes, he remixed Jodeci's "Come & Talk To Me" with the beat from EPMD's "You're a Customer." It was a hit, and Puffy's first remix credit. Soon, the R&B world saw the potential, and many others followed. Fresh's "The Show"-had introduced the genre to New Jack Swing, crafting R&B songs with hip-hop breakbeats. Combs, however, reinvented R&B by hewing even closer to hip-hop's formula. Teddy Riley-only 17 when he produced Doug E. By putting together R&B and hip-hop instrumentals, he and a DJ named Hot Day (whose "Hot Day Master Mix" married New Edition to Public Enemy and Isaac Hayes) reinvented the mixtape and, incidentally, shifted the course of history.Īndre Harrell's Uptown Records was already the home for hip-hop-inspired R&B, and that reputation increased when he hired an aspiring young executive named Sean Combs.